Upon examination, DeLuna discovered that this old race car was a Nardi-Danese 6C 2500, one of only three ever made. As you might suspect, the “Nardi” in the marque’s name owes its presence to one Enrico Nardi, who would go on to prominence for his beautiful steering wheels but who first made his mark in the car world as a test driver and engineer at Lancia and for Scuderia Ferrari.
“There was a guy who lived up the street from me who had one,” Geoff Ombao remembers of his boyhood. “And every time he drove by, it was like watching Santa Claus driving the ice cream truck.” Santa’s ice cream truck, in this instance, was a DeLorean DMC-12, a stainless steel, gullwinged car that–thanks to the Back to the Future film franchise–would be forever associated with time travel in the popular imagination. For Ombao, however, the car’s appeal lies in the marque’s short-lived, tumultuous history.
In the early 1990s, Jeff Suhy was a young executive at A&M records in Los Angeles when he first heard a band from the far-flung reaches of the Pacific Northwest. The group, which eluded categories and didn't seem particularly interested in cultivating a mass audience, was Nirvana and its new album was a collection of songs called "Nevermind." Soon, this peculiar trio from the shores of the Pugot Sound was the biggest thing going and music would never be the same again. Suhy, as it turns out, gravitates toward turning points, whether in culture or in industrial design, which explains his love affair with the Citroen DS
Saying that a car is able to get under one’s skin sounds like an exaggeration, but Nissan enthusiast Troy Ermish has more than a little appreciation for the 510. Ermish says that his love for the model comes down to one similarity between him and his cars: they’re tough.
When he was six years old, Peter Maas nabbed his grandfather’s garage key and snuck into his own future. Inside the shop, he found himself captivated by the shelves of carburetors and spark plugs, and old pictures of his grandpa’s TT racing days at Assen. From that moment on, Maas was obsessed with old things, and especially with old things that motored about on two wheels.